FOOD FIND...

New Zealand Pavlova

Pavlova is a meringue-based dessert named after the Russian ballet dancer Ánna Pávlova. Colloquially referred to as "pav", it is a cake similar to meringue with a crispy crust and soft, light inner. The dessert is believed to have been created in honour of the dancer either during or after one of her tours to Australia and New Zealand in the 1920s. The nationality of its creator has been a source of argument between the two nations for many years, but formal research indicates New Zealand as the more probable source.

The dessert is a popular dish and an important part of the national cuisine of both countries, and is frequently served during celebratory and holiday meals.

3 large egg whites
1/3 cup granulated sugar
1 teaspoon white distilled vinegar
1 tablespoon boiling water
2 cups whipping cream
2 cups fresh fruit (such as strawberries and blueberries, kiwi and raspberries, nectarines and bananas, etc.)
1 teaspoon vanilla extract
1/4 cup powdered sugar

1. Preheat oven to 475°F (245°C). Cover a baking sheet with foil, and spray lightly with cooking spray.
2. In a large bowl, beat the egg whites to form stiff peaks. Add sugar slowly, and continue beating. When egg whites are very stiff, add vinegar and boiling water. Continue beating until glossy surface begins to fade, and mixture is very stiff.
3. Spoon meringue onto prepared baking sheet. Shape into a circle 1 1/2-inches thick. Form a slight indention in the center, making the sides slightly higher.
4. Place meringue in the oven, shut the door, and turn the heat off. Leave in the oven for one hour.
5. Check the texture of the meringue; it should be hard with no soft spots. If soft in the center, heat oven to 250°F (120°C) and leave meringue in until completely dry, checking often.
6. Whip the cream until stiff peaks form. Beat in vanilla and powdered sugar. Spoon the whipped cream onto the meringue. Arrange the fruit on top of the whipped cream, and serve.

Makes 4 to 6 servings
.

Written For the Road...

What is most notable about this funny, touching, memorable first novel from Stephen Chbosky is the resounding accuracy with which the author captures the voice of a boy teetering on the brink of adulthood. Charlie is a freshman. And while's he's not the biggest geek in the school, he is by no means popular. He's a wallflower--shy and introspective, and intelligent beyond his years, if not very savvy in the social arts. We learn about Charlie through the letters he writes to someone of undisclosed name, age, and gender, a stylistic technique that adds to the heart-wrenching earnestness saturating this teen's story. Charlie encounters the same struggles that many kids face in high school--how to make friends, the intensity of a crush, family tensions, a first relationship, exploring sexuality, experimenting with drugs--but he must also deal with his best friend's recent suicide. Charlie's letters take on the intimate feel of a journal as he shares his day-to-day thoughts and feelings:
I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why.
With the help of a teacher who recognizes his wisdom and intuition, and his two friends, seniors Samantha and Patrick, Charlie mostly manages to avoid the depression he feels creeping up like kudzu. When it all becomes too much, after a shocking realization about his beloved late Aunt Helen, Charlie retreats from reality for awhile. But he makes it back in due time, ready to face his sophomore year and all that it may bring. Charlie, sincerely searching for that feeling of "being infinite," is a kindred spirit to the generation that's been slapped with the label X. --Brangien Davis

10 THINGS...PARIS

FOOD FIND

COLUMBIA

Calentado literally means “heated” and is a traditional Colombian breakfast born in the Andean region of the country. It is very common, in this region, to eat beans and rice every day for dinner. Then, for breakfast the next day, the beans and rice are reheated and served with egg, arepa, chorizo or grilled beef and hot chocolate. You will find this dish on the menu of almost any Colombian restaurant around the world.

Ingredients
(4 servings)

4 arepas
4 cooked Colombian chorizos
4 fried eggs sunny side up or eggs with tomato and onions
3 cups hogao
4 cups cooked white rice
4 cups cooked pinto beans

Directions

1. Place the hogao, beans and rice in a large saucepan, mix well ensuring that the rice and beans are coated by the hogao. Cook over medium heat for about 15 minutes or until the mixture is warm, stirring occasionally.

2. To serve, divide the bean and rice mixture equally on serving plates. Place the chorizo and arepa around the beans.

3. Place the egg on top of the beans and rice mixture.

Written For the Road...

Sometimes an author has a theme running through all of his writing -- in the case of Jonathan Safran Foer, it seems to be a quest of the soul. His follow-up to the cult hit "Everything Is Illuminated" is the poignant, quirky, tender "Extremely Loud And Incredibly Close," which takes readers back to the rubble of ground zero.

Oskar Schell is a precocious preteen, who has been left depressed and traumatized. His father died in the September 11 attacks, leaving behind a mysterious key in an envelope with the word "Black" on it. So with the loyalty and passion that only a kid can muster, he begins to explore New York in search of that lock.

As Oskar explores Manhatten, Foer also reaches throughout history to other horrific attacks that shattered people's lives, including his traumatized grandparents. Though the book is sprinkled with letters and stories from before Oskar's time, the boy's quest is the center of the book. And when he finally finds where the key belongs, he will find out a little something about human nature as well...

Historically, only a short time has passed since 9/11, and in some ways "Extremely Loud and Incredibly Close" reopens the wounds. It reminds me of all the families who lost fathers, mothers and children. But Foer doesn't use cheap sentimentalism to draw in his readers, nor does he exploit the losses of September 11th families. It takes guts to write a book like this, and skill to do it well.

In some ways, this book is much like Foer's first novel, but he deftly avoids retreading old ground -- the "quest" is vastly different, the young protagonist is very different, and the conflicts and loss are different, though no less hard-hitting. Foer also sticks to that wonderfully oddballish prose, which gives a gloss of lightness to a deep plot.

After all, that is what made his first book so appealing -- there are parts of "Extremely" that are laugh-out-loud funny, and quirky characters worthy of a Wes Anderson movie. For example, one scene has Oskar sending a letter to Stephen Hawking, asking, "Can I please be your protégé?"

Child genius Oskar will probably make you want to either smack or hug him -- I tended more towards hugs. That's because Foer doesn't make Oskar seem like a tiny adult -- he's brilliant, but his mind still has the whimsy of a child's mind. His little "inventions" are just the sort of thing you'd expect an imaginative nine-year-old to create, and his quest is a realistic one, considering the tragedy he had suffered.

"Extremely Loud and Incredibly Close" proves that Jonathan Safran Foer was no one-hit wonder. His enchanting second book tackles a great tragedy with warmth, depth and sensitivity. Outstanding.

Written For the Road...

A bank of clouds was assembling on the not-so-distant horizon, but journalist-mountaineer Jon Krakauer, standing on the summit of Mt. Everest, saw nothing that "suggested that a murderous storm was bearing down." He was wrong. The storm, which claimed five lives and left countless more--including Krakauer's--in guilt-ridden disarray, would also provide the impetus for Into Thin Air, Krakauer's epic account of the May 1996 disaster. With more than 250 black-and-white photographs taken by various expedition members and an enlightening new postscript by the author, the Illustrated Edition shows readers what this tragic climb looked like and potentially provides closure for Krakauer and his detractors.
"I have no doubt that Boukreev's intentions were good on summit day," writes Krakauer in a postscript dated August 1998. "What disturbs me, though, was Boukreev's refusal to acknowledge the possibility that he made even a single poor decision. Never did he indicate that perhaps it wasn't the best choice to climb without gas or go down ahead of his clients." As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than continue the heated discourse that has raged since Into Thin Air's denouncement of guide Boukreev, Krakauer's tone is conciliatory; he points most of his criticism at G. Weston De Walt, who coauthored The Climb, Boukreev's version of events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev, but the Russian later died in a avalanche on another Himalayan peak, Annapurna I. Krakauer further buries the ice axe by donating his share of royalties from sales of The Illustrated Edition to the Everest '96 Memorial Fund, which aids various environmental and humanitarian charities. --Rob McDonald --This text refers to an out of print or unavailable edition of this title.

10 THINGS...RIO

10 THINGS...NEW YORK CITY

10 THINGS...LONDON